When you exhume a Sicilian who has been in the grave for 2000 years, he’ll tell you vaffanculo and then he’ll rather self-pityingly say: ‘Why did you wake me? I haven’t finished plotting my revenge yet.’ I rather think if we dug up Anthony Burgess, we would get something similar. He was colour blind, which […]
Throughout his career, Burgess enjoyed close relationships with other writers. Even before his first book had been published, he would associate with literary figures. In the early 1940s, while on leave from his Second World War posting to Gibraltar, he frequented the pubs of ‘Fitzrovia’, the area around Fitzroy Square in London. Pubs such as […]
He wasn’t exactly what we expected. No, my brothers. He was not like Alex, nor even like one of his three droogs. ‘Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed,’ he began reading to us. Flashbulbs popped. The New York Times. […]
From 1976, Anthony Burgess lived in a top-floor apartment on rue Grimaldi in Monaco. In 1988, there was an ingress of water from the roof of the building, which partly destroyed Burgess’s collection of manuscripts. According to a letter in the Burgess Foundation’s archive, the papers were being stored in a spare bathroom. Shortly after […]
This sketch by the Italian film director Franco Zeffirelli was drawn for Anthony Burgess’s son, Andrew (also known as Paolo Andrea). It appears to be a greeting for Easter 1979, and shows a recipe for a desert called ‘the sweet of “Passion”’. Zeffirelli describes it as an ‘Easter offering’. The ingredients include ricotta cheese, pistachios, […]
This recording of Anthony Burgess reading Gerard Manley Hopkins’s poem ‘Pied Beauty’ is part of Burgess’s private audio collection. It was originally part of a larger recording intended to accompany Burgess’s book They Wrote In English (1979), written for Italian student of English Literature. The recording fell out of circulation shortly after it was produced. […]
It seems a little greedy, when Anthony Burgess finished and published so many wonderful novels, to want more. And yet, prolific as he was, he left a whole host of brilliant ideas for books unwritten on his death. Some of these are sketched in his two-volume autobiography, Little Wilson and Big God and You’ve Had […]
In 1986 Anthony Burgess published The Pianoplayers, a ribald, light-hearted story about the picaresque adventures of Ellen Henshaw and her dissolute pianoplayer father, Billy, in the silent cinemas and pubs of Manchester and Blackpool in the 1920s. Drawing on the circumstances of Burgess’s family life, the novel balances its portrayal of the poverty and deprivation […]
I went to see Anthony Burgess in the aftermath of A Clockwork Orange. I can’t remember exactly when: but I have the impression that the movie had come out, had incited vociferous opposition, and Burgess was anxious to ‘put things right.’ He was staying in Grosvenor House hotel – or, maybe, the Dorchester: anyhow one […]
Anthony Burgess often worked with visual artists, most notably with novels The Eve of St Venus (1964) and A Vision of Battlements (1965), both of which were illustrated by Edward Pagram. Other works, such as Beard’s Roman Women (1976) and Shakespeare (1970) were illustrated with photographs and, in the case of his biography of Shakespeare, […]