Anthony Burgess’s second commission from Michael Langham, the artistic director of the Tyrone Guthrie Theater in Minneapolis, was an adaptation of Oedipus the King by Sophocles. He had recently completed the novel MF, whose incest theme also reflected Burgess’s interest in Freud and Oedipus. He had little knowledge of Greek and a hazy knowledge of ancient […]

Anthony Burgess was fascinated by the life and work of Sigmund Freud. As a writer and composer, he often returned to the founder of modern psychoanalysis in his creative works. The list begins with his stage adaptation of Oedipus the King in 1972 (a consciously Freudian work). This was accompanied by the novel MF, which […]

Never performed or heard in the UK, Burgess’s Oedipus the King is a robust and powerful version of Sophocles’s classic text. The drama includes an invented language that Burgess created especially for the 1972 production of the piece at the Tyrone Guthrie Theater in Minneapolis, USA. This has been preserved in the International Anthony Burgess […]

Anthony Burgess had a close relationship with classical music – not only did it influence his novels, but he also wrote his own music. On the centenary of his birth, Burgess’s biographer and director of the International Anthony Burgess Foundation, Andrew Biswell, presents music that inspired him, including pieces by Beethoven, Walton and Constant Lambert. […]

Five writers, some of whom knew him in person, explore Burgess’s life and reflect on their favourite Burgess works, exploring the extraordinary twentieth-century man of letters from different angles. The Essay: Burgess at 100 offers personal as well as critical insight into why he remains a literary figure of such importance. These essays look beyond […]