Anthony Burgess’s copy of Italian Food by Elizabeth David is battered, ripped and stained, suggesting heavy use. It also contains scraps of paper which mark certain recipes, giving an insight into what Burgess may have been cooking. Burgess’s edition of Italian Food was published by Penguin in 1967, and there is internal evidence that he […]
Harold Harris, now dead, originally brought Burgess to Hutchinson for Beard’s Roman Women in about 1975 or 76. Possibly bought from an American publisher. In those days I don’t think Anthony was using a literary agent. My memory of this was that the photographer was very much part of the deal, and that it was […]
Many items in the collections at the Anthony Burgess Foundation reveal Burgess’s connections with other writers. Some of these connections are unexpected, such as his long correspondences with Angela Carter and Shirley Conran, but some, such as his friendship with the Italian novelist and semiologist Umberto Eco, seem to make more sense. Burgess’s and Eco’s […]
In 1980, Anthony Burgess was recruited by the producer Michael Gruskoff to invent a new language for the Ulam tribe of prehistoric people in Jean-Jacques Annaud’s Quest for Fire. The film is set 80,000 years ago, and tells the story of a primitive tribe’s efforts to guard their precious fire, something which they know how […]
Monaco, 6 July 1978: He opened the door of the apartment at the top of the stairs on the top floor in the old sandstone-coloured building, shops on the ground floor, black-iron grilled balconies, 44 Rue Grimaldi. There he was, immediately friendly and easy-going, a swirl of bushy long grayish-brown hair like some mad painter, […]
I hope this brief note will demonstrate something of the kindness and generosity Anthony Burgess showed, back in 1990, to one very inexperienced writer – me. Burgess had been my literary hero ever since I read Earthly Powers, which made a huge impression on me: I was incredulous and spluttered indignantly on his behalf when […]
Many of the stories about about Anthony Burgess’s first wife Llewela (or Lynne, as she was known), focus on her boisterous personality, and insatiable thirst. These caricatures follow Burgess’s own writing about his first wife in his autobiographies, but they offer little insight into her complex, and often contradictory, personality. The library at the Burgess […]
When visiting the International Anthony Burgess Foundation in Manchester, one of the first items of Burgess’s personal archive that can be seen is the Bösendorfer baby grand piano in the main Engine Room. This piano, which is still used for performances today, was bought by Burgess from Harrods in 1991. The following video shows him […]
Edward Pagram (1927-2007) illustrated two of Burgess’s novels: The Eve of St Venus (1964) and A Vision of Battlements (1965). The charcoal illustrations, some of which are included here, show the humorous side to Burgess’s novels, but Burgess had his doubts about them. ‘This turned out not to be a good idea,’ he writes, ‘the […]
In the late 70s Klett-Cotta acquired the German rights for several books by two British writers: Doris Lessing and Anthony Burgess. Having been in a close relationship with the publishers (as an editor and translator, mostly of non-literary material) I was given the choice between the two. Both were unknown to me; my interest in […]