Anthony Burgess often worked with visual artists, most notably with novels The Eve of St Venus (1964) and A Vision of Battlements (1965), both of which were illustrated by Edward Pagram. Other works, such as Beard’s Roman Women (1976) and Shakespeare (1970) were illustrated with photographs and, in the case of his biography of Shakespeare, […]
It is unusual for a literary archive to contain such a wide range of items as those which appear in the Burgess Foundation’s collection. One of the most surprising discoveries is that there are several bottles of wine stored among the manuscript pages, photographs and books. More surprising still is that the wines have remained undrunk. The bottles which survive […]
Many of the manuscripts in the archives at the International Anthony Burgess Foundation contain more than just words or music. Burgess was a prolific artist, drawing in the margins of typescripts, creating title pages for drafts of his novels, and sketching birthday cards for his son, Andrew. Burgess’s first published piece of work was not […]
Anthony Burgess’s copy of Italian Food by Elizabeth David is battered, ripped and stained, suggesting heavy use. It also contains scraps of paper which mark certain recipes, giving an insight into what Burgess may have been cooking. Burgess’s edition of Italian Food was published by Penguin in 1967, and there is internal evidence that he […]
Many items in the collections at the Anthony Burgess Foundation reveal Burgess’s connections with other writers. Some of these connections are unexpected, such as his long correspondences with Angela Carter and Shirley Conran, but some, such as his friendship with the Italian novelist and semiologist Umberto Eco, seem to make more sense. Burgess’s and Eco’s […]
In 1980, Anthony Burgess was recruited by the producer Michael Gruskoff to invent a new language for the Ulam tribe of prehistoric people in Jean-Jacques Annaud’s Quest for Fire. The film is set 80,000 years ago, and tells the story of a primitive tribe’s efforts to guard their precious fire, something which they know how […]
Many of the stories about about Anthony Burgess’s first wife Llewela (or Lynne, as she was known), focus on her boisterous personality, and insatiable thirst. These caricatures follow Burgess’s own writing about his first wife in his autobiographies, but they offer little insight into her complex, and often contradictory, personality. The library at the Burgess […]
When visiting the International Anthony Burgess Foundation in Manchester, one of the first items of Burgess’s personal archive that can be seen is the Bösendorfer baby grand piano in the main Engine Room. This piano, which is still used for performances today, was bought by Burgess from Harrods in 1991. The following video shows him […]
Edward Pagram (1927-2007) illustrated two of Burgess’s novels: The Eve of St Venus (1964) and A Vision of Battlements (1965). The charcoal illustrations, some of which are included here, show the humorous side to Burgess’s novels, but Burgess had his doubts about them. ‘This turned out not to be a good idea,’ he writes, ‘the […]
The library at the Anthony Burgess Foundation often reveals unexpected preoccupations and cultural connections. Alongside the more literary titles are several books about showbusiness, including biographies of David Niven, Sir Lew Grade, Jayne Mansfield, and Josephine Baker. Burgess’s interests in film, performance and popular culture were varied, but he had a particular affection for comedy. […]