Anthony Burgess’s second commission from Michael Langham, the artistic director of the Tyrone Guthrie Theater in Minneapolis, was an adaptation of Oedipus the King by Sophocles. He had recently completed the novel MF, whose incest theme also reflected Burgess’s interest in Freud and Oedipus. He had little knowledge of Greek and a hazy knowledge of ancient […]

2021 marks the 50th anniversary of the first release of Stanley Kubrick’s film adaptation of A Clockwork Orange, and 60 years since Anthony Burgess completed his most famous novel. To celebrate the anniversary we are launching a new online series, with a focus on A Clockwork Orange. Each month, we’ll be sharing a highlight from […]

Andrew Biswell: How to read Earthly Powers ‘The ideal reader of my books,’ Anthony Burgess told John Cullinan of the Paris Review in 1973, ‘is a lapsed Catholic and failed musician, short-sighted, colour-blind, auditorily biased, who has read the books that I have read. He should also be about my age.’ Readers who lack those […]

Born in 1917, Anthony Burgess would have celebrated his 103rd birthday on 25 February 2020. But what did he think the twenty-first century would be like? It is possible to offer an answer to this question, thanks to a newly-discovered document from the archive. Back in the mists of 1984, the year when Anthony Burgess […]

Five writers, some of whom knew him in person, explore Burgess’s life and reflect on their favourite Burgess works, exploring the extraordinary twentieth-century man of letters from different angles. The Essay: Burgess at 100 offers personal as well as critical insight into why he remains a literary figure of such importance. These essays look beyond […]

Burgess and the idea of a single European language