The latest publication to emerge from the Burgess Foundation’s archive of manuscripts is Chatsky and Miser, Miser! In these two stage plays, published for the first time by Salamander Street, Burgess adapts and revives major monuments of French and Russian theatre: The Miser by Molière and the Russian comedy Chatsky by Alexander Griboyedov. Chatsky, to […]
2022 is the sixtieth publication anniversary of A Clockwork Orange, which appeared in Britain in May 1962. In the first in a series of articles about the publishing history and critical reception of the novel, we consider the book’s Russian context. Many readers have wondered why Anthony Burgess decided to use Russian as the basis […]
The departure of Daniel Craig from the role of James Bond marks the end of the latest phase in the long-running film series. This blog post looks at some of Anthony Burgess’s responses to Ian Fleming’s most celebrated and enduring fictional character. When Fleming died on 12 August 1964 he had not yet completed The […]
Ernest Hemingway died on 2 July 1961. Anthony Burgess was in Leningrad when he heard the news, gathering the material for Honey for the Bears and A Clockwork Orange. In a later review of A.E. Hotchner’s biography of Hemingway, reprinted in Urgent Copy (1968), Burgess recalled: ‘Many young Russians I drank with asked me, as […]
2021 marks the 50th anniversary of the first release of Stanley Kubrick’s film adaptation of A Clockwork Orange, and 60 years since Anthony Burgess completed his most famous novel. To celebrate the anniversary we are launching a new online series, with a focus on A Clockwork Orange. Each month, we’ll be sharing a highlight from […]
Clockwork Controversy: Myth: Anthony Burgess wrote A Clockwork Orange in only three weeks. Fact: Burgess composed his novel over a period of more than 18 months, during which time he visited Russia, devised a new slang, and crafted the book very carefully. It is a complex and intricate work, which continues to be read all […]
Near the beginning of Honey for the Bears, Anthony Burgess’s 1963 novel set in Leningrad, there is a reference to the Cambridge spies: Not everything you do has to be political. Like those diplomats that went over that time. For all anybody knows they might have gone over because of their stomachs. In Russia, nobody […]