In 1984, Anthony Burgess published Ninety-Nine Novels, a selection of his favourite novels in English since 1939. The list is typically idiosyncratic, and shows the breadth of Burgess’s interest in fiction. This podcast, by the International Anthony Burgess Foundation, explores the novels on Burgess’s list with the help of writers, critics and other special guests. […]
To mark the 50th anniversary of the first release of Stanley Kubrick’s film adaptation of A Clockwork Orange, we present a weekly online series Anthony Burgess at the Movies in which we zoom in on Anthony Burgess’s interest in cinema. What Burgess says: ‘This [Alexander] Korda film of the middle 1930s has its faults – […]
From 1963 to 1968 Anthony Burgess was an occasional television critic for the Listener. The majority of his published reviews were of documentaries, but towards the end of his tenure he also reviewed some television drama, including The Prisoner, the classic series which blends the tropes of James Bond secret agents with those of science fiction. […]
The Irwell Edition of the Works of Anthony Burgess, published in hardback by Manchester University Press, is a new series which aims to bring all of Burgess’s novels and non-fiction books back into print. Each volume contains an editor’s introduction, a newly edited text, extensive notes and annotations, plus previously unpublished materials drawn from the […]
The third volume of the Irwell Edition of the Works of Anthony Burgess is his ‘lost’ science fiction novel. Puma, written by Burgess in 1976, but only published as part of his 1982 novel The End of the World News, is an apocalyptic story about a stray planet on a collision-course with Earth. This is […]
This copy of Frank Herbert’s Dune dates from 1966, when Anthony Burgess reviewed it for the Observer. He was impressed by the scope of the book and by the calibre of Herbert’s literary creation. The review displays a wide knowledge of science-fiction conventions. Dune is set on Arrakis, a desert planet on which humans mine […]