In which our author hunts for the Moonstone and rewrites Sherlock Holmes. Although Anthony Burgess is often thought of as an upmarket literary writer, he was deeply engaged throughout his writing life with popular forms of writing. Beyond his involvement in writing historical fiction, science fiction, and Cold War spy novels, he had a serious […]
Anthony Burgess wrote this essay for the New York Times in 1970, the year in which his Shakespeare biography was published. After completing a lecture tour of Europe and the United States, he was teaching at Princeton University. I’ve spent the last couple of years, off and on, in two worlds simultaneously — imaginatively in […]
In this birthday blog post, we consider some of the anniversaries celebrated by Anthony Burgess in his literature and music. 25 February is the 107th anniversary of Anthony Burgess’s birth in Harpurhey, north Manchester. His original name was John Anthony Burgess Wilson. As he writes in Little Wilson and Big God, the first volume of […]
In 1984, Anthony Burgess published Ninety-Nine Novels, a selection of his favourite novels in English since 1939. The list is typically idiosyncratic, and shows the breadth of Burgess’s interest in fiction. This podcast, by the International Anthony Burgess Foundation, explores the novels on Burgess’s list with the help of writers, critics and other special guests. […]
This essay was written in 1983, when Burgess’s verse translation of Cyrano de Bergerac was performed by the Royal Shakespeare Company at the Barbican Theatre in London, with Derek Jacobi in the leading role. The production was a great success: Michael Billington, the long-standing theatre critic of the Guardian, wrote about the ‘bold, emotionally unashamed’ […]
In 1948 Anthony Burgess began a teaching job as a lecturer in speech and drama at Bamber Bridge Emergency Training College, near Preston in Lancashire. He trained teachers as part of the post-war project to turn ex-servicemen into schoolmasters, and they were given an intensive one-year course: Burgess gave courses in the history of drama […]
Anthony Burgess’s second commission from Michael Langham, the artistic director of the Tyrone Guthrie Theater in Minneapolis, was an adaptation of Oedipus the King by Sophocles. He had recently completed the novel MF, whose incest theme also reflected Burgess’s interest in Freud and Oedipus. He had little knowledge of Greek and a hazy knowledge of ancient […]
When Jorge Luis Borges met Anthony Burgess for the first time, Borges was 77 years old and at the height of his international fame. He had been blind for 23 years. Burgess had just turned sixty, and was much in demand as a screenwriter and public speaker. The venue for their historic meeting was the […]
To mark the 50th anniversary of the first release of Stanley Kubrick’s film adaptation of A Clockwork Orange, we present a weekly online series Anthony Burgess at the Movies in which we zoom in on Anthony Burgess’s interest in cinema. In this episode of the International Anthony Burgess Foundation podcast, we explore the influence of […]
Here at the Burgess Foundation, we are immersed in the world of Anthony Burgess. We revel in finding out small details about his life and career, we scour the archive for previously unknown facts and we have dedicated ourselves to bringing previously unpublished writing into print. We sometimes forget that, because of the sheer number […]