Anthony Burgess’s second commission from Michael Langham, the artistic director of the Tyrone Guthrie Theater in Minneapolis, was an adaptation of Oedipus the King by Sophocles. He had recently completed the novel MF, whose incest theme also reflected Burgess’s interest in Freud and Oedipus. He had little knowledge of Greek and a hazy knowledge of ancient […]

Anthony Burgess was fascinated by the life and work of Sigmund Freud. As a writer and composer, he often returned to the founder of modern psychoanalysis in his creative works. The list begins with his stage adaptation of Oedipus the King in 1972 (a consciously Freudian work). This was accompanied by the novel MF, which […]

ONE: He received a fan letter from Umberto Eco. They met when Burgess was living in Rome in the early 1970s. Eco, who worked as a radio producer, interviewed Burgess in connection with Joysprick, a book about the language of James Joyce. Later on, Burgess wrote favourable reviews of a number of Eco’s books, including The […]

‘Religion is the oppressor. True, it has given us art, music, architecture of unsurpassable beauty, but that does not prevent it from being a roof over the heads of shivering people scared of engaging the huge windy blackness without. Man invented God because he knew no better – the great unpredictable father, indulgent or angry, […]

Burgess’s screenplay of the life of Daniel Schreber. By Anna Edwards.